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Stool no. 307, 1951

Stool no. 307, 1951.

Stool no. 307, 1951. © Galerie Patrick Seguin.

“Four-legged stool no. 307”. Ateliers Jean Prouvé, descriptive sheet no. 555.596, ca. 1952.

“Four-legged stool no. 307”. Ateliers Jean Prouvé, descriptive sheet no. 555.596, ca. 1952. © Collection privée.

Jean Prouvé seated on a stool no. 307, ca. 1952.

Jean Prouvé seated on a stool no. 307, ca. 1952. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Advertisement from the Ateliers Jean Prouvé, in <i>L’Architecture d’aujourd’hui,</i> no. 46, February 1953.

Advertisement from the Ateliers Jean Prouvé, in L’Architecture d’aujourd’hui, no. 46, February 1953. © Collection privée.

Ateliers Jean Prouvé booth at the Salon des Arts Ménagers, 1953. Scenography by Charlotte Perriand. Furniture by Jean Prouvé: Métropole no. 305 chair, stool no. 307, swing-jib lamp, SCAL no. 450 bed (with a swiveling tablet by Charlotte Perriand). Furniture by Charlotte Perriand: large bookcase, free form table from the Maison du Mexique, free form stool, wall storage unit.

Ateliers Jean Prouvé booth at the Salon des Arts Ménagers, 1953. Scenography by Charlotte Perriand. Furniture by Jean Prouvé: Métropole no. 305 chair, stool no. 307, swing-jib lamp, SCAL no. 450 bed (with a swiveling tablet by Charlotte Perriand). Furniture by Charlotte Perriand: large bookcase, free form table from the Maison du Mexique, free form stool, wall storage unit. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

“Light, pressed aluminum stool”. Sketch by Jean Prouvé for the magazine <i>Intérieur,</i> 1965.

“Light, pressed aluminum stool”. Sketch by Jean Prouvé for the magazine Intérieur, 1965. © Centre Pompidou, donation famille Prouvé.

Cité Universitaire Internationale, Maison du Mexique, Paris (architect J.-L. Medellin, 1953). Reception area furnished by Charlotte Perriand with stools no. 307 from Ateliers Jean Prouvé.

Cité Universitaire Internationale, Maison du Mexique, Paris (architect J.-L. Medellin, 1953). Reception area furnished by Charlotte Perriand with stools no. 307 from Ateliers Jean Prouvé. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Cité Universitaire Internationale, Maison du Mexique, Paris (architect J.-L. Medellin, 1953). Reception area furnished by Charlotte Perriand with stools no. 307 from Ateliers Jean Prouvé.

Cité Universitaire Internationale, Maison du Mexique, Paris (architect J.-L. Medellin, 1953). Reception area furnished by Charlotte Perriand with stools no. 307 from Ateliers Jean Prouvé. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Architecte no. 309 stool, 1953.

Architecte no. 309 stool, 1953. © Galerie Patrick Seguin.

Stool no. 307, 1951

The swiveling workshop stool for which Jean Prouvé created the prototype in 1947, was fitted with a “tractor seat” upholstered with cloth or leather.1 Used again in 1950 for a new model of lecture hall chair, this curved-seat concept led to mass production of pressed aluminum seats. The idea of using these light, comfortable seats for other programs instigated production in 1951 of ten stool prototypes, one of them with a base of striated, bent, pressed aluminum. As tests with three-legged models revealed certain shortcomings, a stool with four wood-tipped tube legs was developed and marketed as no. 307. Most of those sold had a “rouge corsaire” (blood red) lacquered seat and black legs, although there were variants combining a black or blue lacquered seat with a black or white base. In some cases there was probably leather upholstery, as indicated by the perforations visible on certain seats. The aluminum was also available in an “aluminized”2 finish. The Architecte no. 309 stool first marketed in 1953 was a tall (75 cm) model, with the same kind of swivel seat on a tubing base that included a footrest.

1. See L’Architecture d’aujourd’hui, no. 11, 1947, p. 111: “Tabouret d’atelier pivotant selle métal garnie cuir”.
2. Developed in 1933, aluminizing was a process for protecting and coloring aluminum.