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Cité armchair, 1930

Cité armchair, variant with leather armrest straps that pass through closed vertical ducts, ca. 1933.

Cité armchair, variant with leather armrest straps that pass through closed vertical ducts, ca. 1933. © Galerie Patrick Seguin.

“Metal armchair”. Ateliers Jean Prouvé drawing no. 4099, 30 January 1935, by J. M. Glatigny.

“Metal armchair”. Ateliers Jean Prouvé drawing no. 4099, 30 January 1935, by J. M. Glatigny. © Fonds des Ateliers Jean Prouvé, Archives départementales de Meurthe-et-Moselle.

Prototype of a dormitory room presented for the competition for the furnishings of the Cité Universitaire in Nancy, ca. 1930: Cité armchair, bed, shelf, table and chair.

Prototype of a dormitory room presented for the competition for the furnishings of the Cité Universitaire in Nancy, ca. 1930: Cité armchair, bed, shelf, table and chair. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Cité armchair, 1930. Sheet steel, leather and stretched canvas.

Cité armchair, 1930. Sheet steel, leather and stretched canvas. © Galerie Patrick Seguin.

Cité armchair, 1930. Sketch by Jean Prouvé for the magazine <i>Intérieur</i>, 1965.

Cité armchair, 1930. Sketch by Jean Prouvé for the magazine Intérieur, 1965. © Centre Pompidou, donation famille Prouvé.

Cité armchair, 1930. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971.

Cité armchair, 1930. Sketch by Jean Prouvé for his classes at CNAM, Paris, 1957–1971. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Cité armchair and Métropole no. 305 chair. Jean Prouvé’s house, Nancy, ca. 1954.

Cité armchair and Métropole no. 305 chair. Jean Prouvé’s house, Nancy, ca. 1954. © Fonds Jean Prouvé. Centre Pompidou – MNAM/CCI-Bibliothèque Kandinsky-Dist. RMN-Grand Palais.

Cité armchair, 1930

The easy chair created in 1930 for the new university dormitory in Nancy was the first small-series model to come out of the Ateliers Jean Prouvé. This model drew on Prouvé’s designs and prototypes for the mechanically complex, adjustable easy chairs that were being individually made at the same time. Using the profile of the Grand Repos armchair, it met the requirements of a different market for “reading” chairs combining economy, solidity and easy maintenance. The new metal easy chair was a pressed-steel structure with open U-shaped legs linked by crosspieces. To this was attached a tubing frame bearing a stretched fabric seat, with screws for adjustment of the fabric’s tension. The cloth strips forming the armrests were attached to the frame with metal tabs. This university easy chair was also marketed by the Ateliers Jean Prouvé for sanatoriums, with a presentation document stressing its comfort, lightness and hygiene. The main variations involved the armrests and the spring-loaded adjustment of the fabric seat: the former were buckled leather straps running the entire circumference of the metal leg structure, whose vertical front section was sheathed. Some sixty examples were made for students’ rooms. The easy chair appears on the 1934 price list
as no. 500, but seems to have found only a very limited market. A new, five-position model for sanatoriums was designed in 1937, but like a tilting easy chair of which two examples were made in 1945, did not go beyond the prototype stage. Real volume production of relaxation models began after the War, with the Visiteur armchair.